so far, I'm a nobody

saindoux:

Pawel Althamer, Self-Portrait as a Businessman, 2002

saindoux:

Pawel Althamer, Self-Portrait as a Businessman, 2002

midnight-charm:

"The girl who wouldn’t let her hair down"

Lonneke Engel by Bruce Weber for Vogue Italia September 1995

slentando:

pierrot lunaire “one night one life" 1999

vroomheid:

1999 IG/RS, Jurgi persoons, Antwerp October 1999.
In 1992 Jurgi Persoons graduates from the fashion department at the Antwerp Academy and three years later he starts hiw own women’s collection. From 1999 he shows his collection in Paris in the form of static presentations, quite similar to performance. His oeuvre can be describes as a radical and even trashy interpretation of the classical female wardrobe. In 2003 he stops his own collection and leaves the world of fashion.
Hettie Judah: Grognard and Stoops’ response is not only to leave things revealed, but also to emphasise the fragility of beauty by playing with ugly, through those monstrous masks and through experiments that emphasise the mortality of human flesh; legs and bodies bound with scotch tape or elastic bands. Much as both their commercial and personal work celebrates the beauty and spirit of youth, there is also a suggestion of death and decay, visible not only in their habitually dark collaborations with designer Jurgi Persoons.

vroomheid:

1999 IG/RS, Jurgi persoons, Antwerp October 1999.

In 1992 Jurgi Persoons graduates from the fashion department at the Antwerp Academy and three years later he starts hiw own women’s collection. From 1999 he shows his collection in Paris in the form of static presentations, quite similar to performance. His oeuvre can be describes as a radical and even trashy interpretation of the classical female wardrobe. In 2003 he stops his own collection and leaves the world of fashion.

Hettie Judah: Grognard and Stoops’ response is not only to leave things revealed, but also to emphasise the fragility of beauty by playing with ugly, through those monstrous masks and through experiments that emphasise the mortality of human flesh; legs and bodies bound with scotch tape or elastic bands. Much as both their commercial and personal work celebrates the beauty and spirit of youth, there is also a suggestion of death and decay, visible not only in their habitually dark collaborations with designer Jurgi Persoons.

autosafari:

Solomon R. Guggenheim Museum, New York City, New York.photo courtesy Guggenheim Museum & Frank Lloyd Wright Architecture

autosafari:

Solomon R. Guggenheim Museum, New York City, New York.
photo courtesy Guggenheim Museum & Frank Lloyd Wright Architecture

raveneuse:

David Hammons, Slauson Studio, Photographed by Bruce Talamon, 1974.

raveneuse:

David Hammons, Slauson Studio, Photographed by Bruce Talamon, 1974.

lancebangs:

Still frame from my film of the final practice before the release of “In The Aeroplane Over The Sea.”

lancebangs:

Still frame from my film of the final practice before the release of “In The Aeroplane Over The Sea.”

undr:

Shoji Ueda
My Wife in the Dunes, c. 1950

undr:

Shoji Ueda

My Wife in the Dunes, c. 1950